SHOW COMING UP 2.4.10 -111 FRONT ST, BROOKLYN: GALLERY 220

Fee Fi Fo Fum oil on linen 30"x35"

Next Thursday, February 4th at 111 Front Street in Brooklyn. This show will include myself and 3 other figurative artists, and should be a really fun event.

http://giacobettipaul.com/

The opening will be going on Thursday- 5:30-9pm

Let me know if you can make it!

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Fee Fi Fo Fum is my latest painting. I still think it could have a ways to go but we'll see-
Blood trapped in the face is a very loaded image for me. It reminds me of being a kid and popping the heads off the dandelions. It reminds me of my humiliation at just being a person, at any hint towards how   alive and seething I was. It's hard to live in a social world with rules and cues you have to pick up on. It's the feeling that I had no idea how to be a person- the feeling that everyone else had someone to tell them the secrets to it- the feeling that I was obvious. They can smell the blood in my face, and I am the giant. The idea that I was the clown. The way I wanted to devour everyone, the way I wanted to be ground up hamburger meat. The way I wanted to reveal all my flaws and guts and shit so that I could do it on my own terms.

political vs personal

When people describe my work as political, I get a little thrown off balance. I think that this is probably because I'm not sure what political means to other people, and what that implies about my art and my motives for making it. My art is intensely personal, and perhaps this makes it political in a way that I am not aware of. However, I am probably one of the least updated people I know when it comes to actual politics, mostly because I find it unbelievably boring and ugly. In my mind politics is a bunch of gross old men feeling very important about themselves, and I couldn't care less. I know that is narrow-minded, but those are the feelings I have about it

 I'm interested in the biology of the body, a person's relationship to eating and excreting, and the way their relationships with other's affect them. It's about how it feels to live in a body that is open and constantly taking in and releasing parts of it's environment. My art is very self-centered in this way, and I accept that this is where my interests are.